DIT – GastonAlvarez.Tech

Post Production, Preproduction, Production

DIT

Tools Used:Pompfort LivegradeOmniscopeDavinci ResolveARRI Reference ToolLatticeOffShootFoolcatSony RAW ViewerRED PlayerAJAAssimilate

I have over 30 projects under my belt, assisting directors of photography from a technical standpoint so their artistic vision isn't compromised by the demanding needs of proper image management. It's my responsibility to share essential knowledge before, during, and after each production, covering everything from color science to the specific processes, equipment, and deliverables, as well as the correct operation of various tools for accurate image acquisition.

Get to know me better

I prefer to be a DIT
— simple but efficient

My Motivation

Since I started providing DIT-on-Set services, I've made it my mission not only to be a technical advisor on set for the DoP, but also to be effective and practical in my work on set by keeping things simple, such as using the best technology available today so as not to be a hindrance on set, but never compromising Quality Check and the integrity of the image.

My experience working on numerous films, series, and commercials for a wide range of national and international vendors has given me the expertise to be a valuable asset to production teams. I can also act as a liaison with other key roles on set, such as post-production supervisors, VFX supervisors, and virtual production supervisors, to name a few.

From the first steps

My knowledge encompasses the initial setup of cinematic cameras from brands like RED, ARRI, SONY, BLACKMAGIC, CANON, NIKON, and DJI, including selecting codecs to meet project needs, recommending the appropriate storage system for backups, and possessing a thorough understanding of video, data, and audio signal workflows and routing on a film set.